1905-2009
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1.Kata Fukiyu No, by Eihachi Ota. Karate Illustrated.
july 1972. (sensei E. Ota)

Grandmaster Shoshin Nagamine,
Masao Shima Sensei:

8.(MARTIAL ARTS ILLUSTRATED, JUNE 1999)

2.The Kama: One Man's Life, by J. Nagel. Black Belt,
July 1983.(sensei E. Ota)

This Okinawan SKKA
is dedicated to the memory of my teacher,
Grandmaster Shoshin Nagamine,
Hanshi 10th degree black belt and the founder of the Matsubayashi Shorin-ryu style of karate-do During his lifetime,the Okinawan Government declared Nagamine an intangible cultural treasure because of the rich legacy he established and because of the important position he holds in the history of the art of karate.
It is my sincere hope that this work will help to describe the genius and elegant beauty of Matsubayashi-ryu. It is also my sincere desire that this work will help to preserve the rich legacy left behind by

Grandmaster Nagamine.Masao Shima Sensei:
I would like to thank Master Shima sensei for his ongoing support and encouragement over the past 40 years. Master Shima is the one who promoted me to 9th degree black belt following Master Nagamine's
death.He has been a constant source of inspiration.
This has providid me with the fortitude to
tackle the enormous undertaking of completing such
a comprehensive project as text of my life.
" EIHACHI OTA "

9.TRADITIONAL KARATE(An Okinawan Pioneer Eihachi Ota)
(Issue Vol,12 No. 4, Decenber, 1998)

3.history of the Okinawa in North America by The
Okinawa Club of America.
1970,(EIHACHI OTA, PAGE-546P549)

10. MILLENNIUM ISSUE:(JANUARY 2000 NO. K48341.
(FROM: MARTIAL ARTS>).
(OKINAWAN MASTER : EIHACHI OTA)

4.Ikken Hisatsu: To Stop the Opponent With One Blow,
(By EIHACHI OTA ,
Michael Rovens and Mark Polland. bugeisha

11. MASTERS of the japanese fighting arts
(December 1999 issue No,
k48341)(MARTIAL ARTS LEGENDS PRESENTS),
ATRIBUTE TO THE PIONEERS AMERICA'S TRADITIONAL JAPANESE MARTIAL ARTS.

5.Traditional Martial Artist,Issue #3,Summer 97,(Eihachi Ota)

12. Martial Art :(A Man of ethics Shorin-ryu's)
June 2003.

6.THE TONFA OF EIHACHI OTA
(BY MICHAEL ROVENS AND MARK POLLARND)
(Bugeisha Traditional Martial Artist,
issue #5 Spring 98).

13. Martial Arts (05)

7.THE KAMA OKINAWAN'S DEADLIEST FARM TOOL.
( BY:MICHAEL ROVENS ).......

 

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Sensei Eihachi Ota
It was in Naha City, the capital of Okinawa, After gaining
recognition as one of the strongest in his high schoolÕs karate club; Mr.Ota was invited to join Sensei Shima, s private dojo.
And Sensei Nagamine (1907 - 1997).As a youth, Ota enjoyed playing baseball and boxing in nearby
gymnasiums.Yet, his passion for martial arts became evident at an early age. Today Sensei Ota vividly remembers his training in Okinawa under Master Shima, Nagamine and, considered the toughest streetfighter in the karate world...This Ota propounds, requires a different level of physical and mental commitment. Ota quietly intimates to his students that modern day emphasis on point fighting is very different from the way he trained in Okinawa. Sensei Ota, in his typical soft spoken and quiet demeanor, says that he realized that trainingin Master Shima
and NagamineÕs dojo was not enough.He likens this to academic studies as well. A student should attend classes, Ota asserts, to acquire knowledge, but must do homework and continual exercise outside the regular classes to hone and retain the knowledge, and martial arts is no different. Contemporaries of Ota in the Naha City dojo remember the story of how one evening a senior instructor went to OtaÕs parents home because Ota had refused his promotion to Sho-dan (first degree black belt). Instead Ota was found practicing in nearby sugar cane fields in complete blackness.This was the first time people found out about Ota Õs private training. Mr. Ota explained to his senior that he did not intend any lack of respect to his contemporaries or seniors at the dojo, rather it was his desire to achieve a higher potential. Mr. Ota explains that the wonderful thing about karate is that you can never fully reach a state of perfection. That is, training is a process, an evolution of knowledge and technique where the practitioner can always keep improving. As soon as you achieve a goal, there is immediately a harder one that the student

must strive to achieve. Ota tells his students that complacency or the belief that you have maximized your potential or ability is the first step in your downfall.Mr. Ota constantly reminds his students of the importance of striving for more. According to Ota, getting to black belt level is relatively easy.However, most people stop there, even in Okinawa. Very few continue to develop their skills and can improve enough to move to the next level.Students of OtaÕs attest that his speed and skill continues to improve over time, despite growing older, and that is what differentiates him from ordinary athletes. Whenever people complain that they are too old,they are reminded that master Nagamine is 90 years old and still trains for hours every day. Nagamine can easily throw students half his age to the floor with ease. Sensei Ota encourages students to make karate a way of life.The dojo in Okinawa is open 24 hours a day, seven days a week, even holidays. When Ota left Okinawa to pursue electronics degree at Tokyo University, he was forced to work during the days to pay for tuition, and devote evenings to study.He did not have time to join a dojo, but it did not deter him from practicing karate. His five feet by seven-foot apartment in Tokyo became his new dojo. It is said that he would practice so hard that other residents thought there was an earthquake outside. In Okinawa, karate men tease that it is safer to be in an earthquake then to have to face up against Ota in a sparring match.In 1969, Ota moved to the United States. Yet he always kept training.
His students remember that even following a motorcycle accident;Ota never missed a day in the dojo.
Students when they found out about their teaching meeting with an accident replied, We didnÕt even know, it is impossible to tell from watching him train!Ķ Often Mr. Ota tells injured students,If you hurt your right side, then use it as an opportunity to train with your left and build up your weaknesses. Always make yourself stronger by

working on your weaknesses. In 1973, Ota opened his first dojo in the United States. Still, he remembers the training as more serious in Okinawa. Classes in Okinawa would continue until students would get blood in their urine from training so seriously. The difficult part,
however, according to Ota, wasnÕt the pain,but building up the toughness to go and do the same thing again the following day! Mr. Ota married in 1975. His wife owned a sake bar for fifteen years in one of the roughest areas of central Los Angeles. It was such a tough neighborhood; police officers have been quoted as saying that the only
times they felt safe was in Sensei OtaÕs bar.One neighborhood police officer who later became a student at the dojo recants stories of how assailants armed with firearms would unsuccessfully attempt to hold
up the bar. But, they just werenÕt fast enough to handle OtaÕs lightning speed. Currently one of his senior students is an instructor at the Police Academy. Mr. Ota is an expert in all the traditional Okinawan weapons of self-defense, which at one time were used in the fishing and farming industries: uncheck, Bo. As. Tonfa. And Kama. Sensei Ota is pictured with the traditional kobudo weaponsatright.Ota believes that Kobudo, the study of weapons, is an integral part of karate training,
and he encourages students to practice the various weapons. Ota says that weapons training present an opportunity for students from.


different tyles to train together because the techniques needed for weapons are the same, regardless of stylistic variations or a studentÕs background. Always however, the student must first learn how to take care of the weapons, because in this way they develop respect and appreciation for the weapons, and, moreover, the responsibility and control to use it. Perhaps even more than his lightning speed or the forcefulness of his techniques, what differentiates Ota from all other sensei is his mastery of distanceĶ. Ota explains that when opponents engage, they are already at a very short distance from one another.
But, the secret is learning to control that long distance before engaging an opponent. Students must work on their combinations in order to achieve a higher level of skill. Once Ota was challenged to a life and death fight by a champion kick boxer from Japan. Yet, after watching Ota execute several combinations while warming up before the duel, the Japanese fighter bowed out of the
contest, thinking it better to loose face than his life.
Ota explains that students who concentrate on techniques for short distances may indeed developdeadly blocks and punches, but can easily be defeated
because they `have not developed a strategy to cope with combinations,fakes, feints, and shifting movements.
Ota quickly overwhelms many senior students once they encounter his lightning fast combinations, shifting stances, and movements.Ota is frequently invited to
Okinawa to conduct sparring courses because of his mastery of these strategiesBIndeed, mokarate masters on Okinawa feel he has taken the art of karate to levels last seen in the 18th century.

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